HBO’s “Heated Rivalry” is the Sexiest and Most Significant Queer Show of the Year

Netflix’s “The Abandons” Leaves Its Capable Stars Behind in a Weak, Weary Western

Starz Returns to Form With Brutal and Brilliant Spin-Off “Spartacus: House of Ashur”

“Stranger Things” Sets Up Its Endgame with Quartet of New Episodes

Wong Kar-wai’s Gorgeous, Captivating “Blossoms Shanghai” Arrives on the Criterion Channel

Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”

Amazon Prime’s “Malice” Will Only Make You Mad

“Landman” Might Be the Dumbest Fracking Show on TV

Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year

Season Two of “Palm Royale” Succeeds by Embracing its Funny Side

HBO’s “The Seduction” Surprises without Sizzle

Vince Gilligan’s Riveting “Pluribus” Is the Television Event of the Year

NBC Mockumentary Sitcom “Stumble” is a Flipping Good Time

MGM+’s “Robin Hood” Dazzles With Its Craft, Yet Lacks the Allure to Justify Its Creation

HBO’s Zennial Comedy “I Love LA” Lets Rachel Sennott Navigate Life, Love, and Influence

“The Witcher” Changes Its Face and Loses Some Of Its Magic in Season 4

Apple TV Sends Ruth Wilson and Emma Thompson “Down Cemetery Road” in Stylish Fashion

Season 2 of Netflix’s “Nobody Wants This” Keeps the Formula With Some Improvements

HBO’s “IT: Welcome to Derry” Feels too Much Like a Sideshow in the Stephen King Circus

In Mubi’s “Hal & Harper,” Cooper Raiff Has a Hard Time Growing Up